Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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John Wootton
Portrait of Sir Robert Walpole

ID: 96515

John Wootton Portrait of Sir Robert Walpole
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John Wootton Portrait of Sir Robert Walpole


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John Wootton

1682 - 1764 English painter. He probably received some instruction from Jan Wyck in the 1690s, and he was possibly patronized from an early age by the aristocratic households of Beaufort and Coventry (as was Wyck), perhaps while working as a page to Lady Anne Somerset at Snitterfield House, Warwicks. However, there seems to be no real evidence for this save his early painted view of the house and the family's later acquisition of many of his works. Joseph Farington saw a painting of Diana and the Nymphs (1707; untraced) at Antony House, Cornwall, but Wootton's earliest extant dated work is the horse portrait Bonny Black (1711; Belvoir Castle, Leics). By this time he had begun to establish himself in London, having moved there before his first marriage, to Elizabeth Walsh, in 1706.   Related Paintings of John Wootton :. | A View of Park Place (mk25) | The Duke of Marlborough at the Battle of Oudenaarde | George III's Procession to the Houses of Parliament (mk25) | The Shooting Party | George II at Dettingen |
Related Artists:
Wenceslaus Werlin
Wenceslaus Werlin (died 1780) was an Austrian painter. Werlin specialized in portraits. He died in Florence in 1780.
Friedrich Georg Weitsch
1758 Braunschweig-1828 Berlin
Pietro Faccini
(1562 - 1602 or 1614), was an Italian painter, active near his birthplace of Bologna in styles bridging Mannerism and the nascent Baroque. According to Malvasia, the main biographer of the early Bolognese Baroque, he apprenticed in his twenties with the with Ludovico and Annibale Carracci. His style departs from the linear "Roman" quality assumed by his mentor, and has a more sparkling quality, influenced by Tintoretto, Correggio, and Bassano. His documented painterly output consists of about a dozen works. In 1590, he painted the Martyrdom of Saint Lawrence, now found in the church of San Giovanni in Monte (Bologna). He completed altarpieces for San Domenico and Santa Maria dei Servi in 1593-1594 and a Presepio in the Pinacoteca of Bologna.






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